[[cento:centologia#centones_missalis|🔘]] [[0011|IN]] [[0165|GR]] [[0465|TR]] **<fc #BD0C11>AL</fc>** [[0479|OF]] [[0613|CO]] 
<fc #ffffff>xxxxx</fc> 
[[0325|1️⃣]] ✅ [[0290|3️⃣]] [[0294|4️⃣]] [[0298|5️⃣]] [[0310|6️⃣]] [[0396|7️⃣]] [[0324|8️⃣]] 
<fc #ffffff>xxxxx</fc> 
[[ant:0019|AN]] [[ant:7002|RP]] [[ant:9862|IV]]  [[alia:alia|alia]] <fc #ffffff>xxxxx</fc> //vide et// ⇩
------------------

[[0360]] ← → [[0362]]

{%syn:title:grad:0361%}

[[0358]] ⟽ **[[cento_gr:cento_al#alleluia_2_typos|AL 2]]** ⟾ [[0363]]\\
[[0336]] ⟽ **[[cento_gr:cento_al#al_2_alii|AL 2 alii]]**   ⟾ [[0443]]

{%syn:analyse:grad:0361%}

  V1. In exitu israel ex aegypto * domus iacob de populo barbaro. 
  
  V2. Facta est iudaea sanctificatio eius * israel potestas eius.

Ein AL aus dem gallikanischen Repertoire ([[neumen:oriscus:oriscus#pes_g|Pes stratus]]), dessen Übernahme in den gregorianischen Choral Probleme machte. Aquitanien (A+Y) überträgt den Text in den Typos des 2.Modus (2*), Benevent


------------------

[[0358]] ⟽ **[[cento_gr:cento_al#alleluia_2_typos|AL 2]]**  ⟾ [[0363]]\\
[[0358]] ⟽ **[[cento_gr:cento_al#alleluia_2_typos|AL 2*]]** ⟾ [[0363]]

{%syn:analyse:grad:0361a%}


––––––––––––––––––

[[0012|IN]] [[0167|GR]] [[0456|TR]] **<fc #BD0C11>AL</fc>** [[0490|OF]] [[0601|CO]] 
<fc #ffffff>xxxxx</fc> 
[[0325|1️⃣]] [[0323|2️⃣]] [[0290|3️⃣]] [[0294|4️⃣]] ✅ [[0310|6️⃣]] [[0396|7️⃣]] [[0324|8️⃣]] 
<fc #ffffff>xxxxx</fc> 
[[ant:0006|AN]] [[ant:7042|RP]] [[ant:9823|IV]]  [[alia:alia|alia]]
------------------

[[0298]] ⟽ **[[cento_gr:cento_al#alleluia_5|AL 5]]**     ⟾ [[0383]]\\
[[0298]] ⟽ **[[cento_gr:cento_al#al_5_alii|AL 5 alii]]** ⟾ [[0383]]

{%syn:analyse:grad:0361b%}




{%syn:hs:grad:Ytab:0361:600%}

{%syn:hs:grad:0361%}