[[:start|⬅️]] **START**<fc #ffffff>x</fc>
[[neumen:semiologia|▫️]] SEMIOLOGIA<fc #ffffff>x</fc>
[[modus:0modi|▫️]] MODOLOGIA<fc #ffffff>x</fc>
[[cento:centologia|▫️]] CENTOLOGIA
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====== OFFIZIUM ======

Antiphonal-Repertoire

Der adiastematische codex **Hartker** wird hier **auf Tonhöhen** dargestellt. Die Melodien Hartkers, wie sie sich aus einem breiten Handschriftenverleich unter Berücksichtigung einer historischen Enwicklung ablesen lassen, werden in eine Quadratnotenschrift übertragen, die nicht den Schreibregeln von Solesmes folgt, sondern sich der **Artikulation** Hartkers, seinen feinen rhythmischen Aussagen nähert.

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!style="border-left: 3px solid #aaaaaa; border-top: 3px solid #aaaaaa" |
!colspan="2" style="text-align:center; border-top: 3px solid #aaaaaa" |<fc #6495ed>PR</fc>
!colspan="2" style="text-align:center; border-top: 3px solid #aaaaaa" |<fc #EAAC2E>DT</fc>
!colspan="2" style="text-align:center; border-top: 3px solid #aaaaaa" |<fc #57AB74>TR</fc>
!colspan="2" style="text-align:center; border-top: 3px solid #aaaaaa" |<fc #DE523F>TT</fc>
|style="border-top: 3px solid #aaaaaa; border-right: 3px solid #aaaaaa" | [[modus:4_hauptmodi#hauptmodi |4 Hauptmodi ]]
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!style="border-left: 3px solid #aaaaaa; width:155px" |
!style="text-align:center; width:55px" |<fc #6495ed>1</fc>
!style="text-align:center; width:55px" |<fc #44AEC8>2</fc>
!style="text-align:center; width:55px" |<fc #EAAC2E>3</fc>
!style="text-align:center; width:55px" |<fc #B09A26>4</fc>
!style="text-align:center; width:55px" |<fc #85DB44>5</fc>
!style="text-align:center; width:55px" |<fc #57AB74>6</fc>
!style="text-align:center; width:55px" |<fc #F4000F>7</fc>
!style="text-align:center; width:55px" |<fc #DE523F>8</fc>
|style="border-right: 3px solid #aaaaaa; width:125px" |[[modus:octoechos#octoechos |Octoechos ]]
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!style="border-left: 3px solid #aaaaaa" | ⬜️ **INVITATORIA**
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|[[ant:9862 |📘 ]] x
|[[ant:9831 |📙 ]] x
|[[ant:9921 |📙 ]] x
|[[ant:9823 |📗 ]] x
|[[ant:9834 |📗 ]] x
|[[ant:9815 |📕 ]] x
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|style="border-right: 3px solid #aaaaaa" |
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!style="border-left: 3px solid #aaaaaa" | [[0centones|⬜️ ]] **ANTIPHONAE**
|[[ant:0001 |📘 ]] 1420
|[[ant:0019 |📘 ]] 517
|[[ant:0034 |📙 ]] 419
|[[ant:0041 |📙 ]] 539
|[[ant:0006 |📗 ]] 206
|[[ant:0158 |📗 ]] 366
|[[ant:0007 |📕 ]] 733
|[[ant:0004 |📕 ]] 1495
|style="border-right: 3px solid #aaaaaa" |[[gradual:comp_ant |◻️ ]] **antiphonal**
|-
!style="border-left: 3px solid #aaaaaa; border-bottom: 3px solid #aaaaaa" | [[cento_rp:0typoi|⬜️ ]] **RESPONSORIA**
|style="border-bottom: 3px solid #aaaaaa" |[[ant:7009 |📘 ]] 109
|style="border-bottom: 3px solid #aaaaaa" |[[ant:7002 |📘 ]] 107
|style="border-bottom: 3px solid #aaaaaa" |[[ant:7012 |📙 ]] 63
|style="border-bottom: 3px solid #aaaaaa" |[[ant:7016 |📙 ]] 91
|style="border-bottom: 3px solid #aaaaaa" |[[ant:7042 |📗 ]] 47
|style="border-bottom: 3px solid #aaaaaa" |[[ant:7006 |📗 ]] 28
|style="border-bottom: 3px solid #aaaaaa" |[[ant:7013 |📕 ]] 140
|style="border-bottom: 3px solid #aaaaaa" |[[ant:7001 |📕 ]] 153
|style="border-bottom: 3px solid #aaaaaa; border-right: 3px solid #aaaaaa" |[[gradual:comp_resp |◻️ ]] **responsorial**
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!style="border-left: 3px solid #aaaaaa; border-top: 3px solid #aaaaaa; border-bottom: 3px solid #aaaaaa" |⬜️ **HYMNI**
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!style="width:155px; border-left: 3px solid #aaaaaa; border-top: 3px solid #aaaaaa; border-bottom: 3px solid #aaaaaa" | [[ quellen:quellen_an | 📓 ]] Fontes AN
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|style="width:55px; border-top: 3px solid #aaaaaa; border-bottom: 3px solid #aaaaaa" |
|style="width:55px; border-top: 3px solid #aaaaaa; border-bottom: 3px solid #aaaaaa" |
|style="width:55px; border-top: 3px solid #aaaaaa; border-bottom: 3px solid #aaaaaa" |
|style="width:55px; border-top: 3px solid #aaaaaa; border-bottom: 3px solid #aaaaaa" |
|style="width:55px; border-top: 3px solid #aaaaaa; border-bottom: 3px solid #aaaaaa" |
|style="width:125px; border-top: 3px solid #aaaaaa; border-right: 3px solid #aaaaaa;border-bottom: 3px solid #aaaaaa" |
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Wir restituieren also **Hartker**, keinen fiktiven "Urtext", in moderner Quadratnotenschrift. Die Tableaus