[[cento:centologia|🔘]] [[grad:0001|IN]] [[grad:0202|GR]] [[grad:0465|TR]] [[grad:0294|AL]] [[grad:0481|OF]] [[grad:0599|CO]] 
<fc #ffffff>xxxxx</fc> 
[[0001|1️⃣]] [[0019|2️⃣]] ✅ [[0034|3️⃣]] [[0041|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]] 
<fc #ffffff>xxxxx</fc> 
**<fc #BD0C11>AN</fc>** [[7016|RP]] [[9921|IV]]  [[alia:alia|alia]] <fc #ffffff>xxxxx</fc> //vide et// ⇩
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[[1243]] ← → [[1245]]

{%syn:title:ant:1244%}

[[1243]] ⟽ **[[cento_an:qtyp|AN Q]]** ⟾ [[1253]] 

{%syn:analyse:ant:1244%}

  Exaltare / super caelos deus /
  et super omnem terram / alleluia.

Nur H und Ve verwenden Q TYPOS. Ka, Qu Wc und De verwenden 6 TYPOS simpl.

**[[cento_an:qinc|QINC]]**  \\
**[[cento_an:qmed|QMED]]**\\
**[[cento_an:qnov|QNOV]]**\\ 
**[[cento_an:qter|QTER]]** pentatonica, nec "si“ nec “sa".\\

<fc #4682b4>"Exal-//ta//-re"</fc> übersteigt in H  den üblichen nkPes "do-re" zum Trc "do-mi-re". H versteht den Text dreiakzentig : **"Éx-ál-tá**-re". Dieser klugen Intensivierung des Wortes können die anderen Handschriften nicht folgen. Ve bringt die klassische Melodie, alle anderen weichen in den Typos simplex des 6.Modus aus.\\
––––––––––––––––––

[[cento:centologia|🔘]] [[grad:0008|IN]] [[grad:0167|GR]] [[grad:0456|TR]] [[grad:0310|AL]] [[grad:0502|OF]] [[grad:0621|CO]] 
<fc #ffffff>xxxxx</fc> 
[[0001|1️⃣]] [[0019|2️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] ✅ [[0007|7️⃣]] [[0004|8️⃣]] 
<fc #ffffff>xxxxx</fc> 
**<fc #BD0C11>AN</fc>** [[7006|RP]] [[9834|IV]]  [[alia:alia|alia]]
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[[1236]] ⟽ **[[cento_an:6typ|AN 6]]** ⟾ [[1245]]

[[1177]] ⟽ **[[cento_an:6typ|6 TYP simpl]]** ⟾ [[1245]]  

{%syn:analyse:ant:1244a%}

  Exaltare super caelos deus alleluia /
  et super omnem terram gloriam tuam alleluia.

Typos simplex vide [[0158]].

{%syn:hs:ant:Xtab:1244:400%}

{%syn:hs:ant:1244%}