[[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]]
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✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
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**AN** [[ant:7009|RP]] [[ant:9862|IV]] [[alia:alia|alia]]
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[[1899]] ← → [[1901]]
{%syn:title:ant:1900%}
[[ant:1900|↖️]]
**[[cento_an:1inc_voc|1NC voc]]**\\
**[[formulae:quia|FML quia]]** +
[[formulae:circulatio]] \\
"quia" Die Neumen Hartkers sind nicht vom ersten Schreiber, die
Circulatio ist hier in ihrer nicht kurrenten Form notiert, wie in MR. \\
Es folgt die CAD von\\
🔻**[[cento_rp:cent_1d#cento_1_d|RP1 Df]]** Diese CAD-Formel aus dem Responsorial-Repertoire macht "audit" in gewisser Weise zum Schluss der Antiphon \\
"Loquere domine quia audit|.(servus tuus)".\\
allerdings steht die abschließende Clv einen Ton tiefer. Sie ist bereits Teil der\\
**[[cento_an:1ter_clv#1|1TER de3 clv]]**
cf.: [[ant:1960]]
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● Rede, Herr, dein Diener hört.
● Speak, Lord, your servant hears.\\
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**[[cento_an:1inc_voc|1NC voc]]**\\
**[[formulae:quia|FML quia]]** +
[[formulae:circulatio]] \\
"quia" Hartker's neumes are not from the first scribe, the
Circulatio is notated here in its non-current form, as in MR. \\
This is followed by the CAD of\\
🔻**[[cento_rp:cent_1d#cento_1_d|RP1 Df]]** This CAD formula from the responsorial repertoire makes "audit" in a certain way the conclusion of the antiphon \\
"Loquere domine quia audit|.(servus tuus)".\\
however, the final Clv is a tone lower. It is already part of the\\
**[[cento_an:1ter_clv#1|1TER de3 clv]]**
cf.: [[ant:1960]]
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{%syn:analyse:ant:1900%}